Co-founder of:
When Site Lost the Plot (link)
Currently and upcoming:
IN THE PAUSE OF A GESTURE THERE MIGHT BE AN ECHO 10, June - 24, June, 2022, Exhibition at Arti et Amicitiae, Amsterdam (link)
Proposals for Municipal Art Acquisitions 2022 (working title), November 26, 2022- 2023,
Stedelijk Museum Amsterdam (link)
This project is an engagement in re-constellating sequential images of collective memory housed in the collapsed building of the Historisches Archiv der Stadt Köln.
Digital technologies combine with human hair to circumnavigate the transhistorical temporality of an object by activating new inscriptions to its body, as well as our own, through reciprocal heuristic involvement.
Can forms and ideas from the global South, contained within the Tropical objects of European museums, lead us to future adaptations for our new climate conditions?
Ten Export Winter Landscapes are taken out from the dark museum archive and a conversation is shaped between two historical contexts, collaging them into one heterogeneous scene.
A project researching the transformation of contemporary objects that were forced to change through the paradigm of 20th century modernisation.
A performance about De Appel’s unintended collection; consisting of a group of artworks and other objects that have been coincidentally assembled in the archive throughout the institution’s history.
A journey through a diaspora of images and people in search of North Korea, one of the world’s most inaccessible and unknown places.
Using the performativity of ghosts as a medium to explore their links to colonial modernity, archiving, folk culture and the collective imagination.
Research concerning different methodologies of contemporary mediation in three different museums by exploring the relationship between artefacts inside the depots and their outside realities.
A project connecting the objects in the archive of the Zuiderzeemuseum with the region’s geographically transformative history of dike-building and its contemporary location.
Using the performativity of repatriation and remaking, archival and field research from Indonesia and the Netherlands are brought together to investigate the notion of “return” as a pattern for remedying colonial objects.
